Here are some bits from
a review by Katha Pollitt of the book Byron in Love by Edna O'Brien. From the review, this appears to give the raw and unvarnished view of the poet Lord Byron:
In his short life (1788-1824), George Gordon, Lord Byron, managed to cram in just about every sort of connection imaginable—unrequited pinings galore; affairs with aristocrats, actresses, servants, landladies, worshipful fans, and more in almost as many countries as appear on Don Giovanni's list; plus countless one-offs with prostitutes and purchased girls; a brief, disastrous marriage; and an incestuous relationship with his half-sister. And that's just the women! It's a wonder he found the time, considering everything else on his plate. He composed thousands of pages of dazzling poetry, traveled restlessly on the continent and in the Middle East, maintained complex relationships with friends and hangers-on, wrote letters and kept diaries and read books constantly, boxed and took fencing lessons and swam, drank (prodigiously), suffered bouts of depression and paranoia and physical ill-health, and, in his later years, joined in Italian and Greek liberation struggles. Just tending the menagerie that he liked to have about him—monkeys, parrots and macaws, dogs, a goat, a heron, even, while he was a student at Cambridge, a bear—would have driven a lesser man to distraction.
...
But these affairs (and others) paled beside his incestuous affair with Augusta, Mad Jack's daughter, five years older, married, the mother of four, whom he came to know for the first time in London in 1813: "And so it is Guss and Goose and Baby Byron and foolery and giggles, Augusta wearing the new dresses and silk shawls he has bought for her, the thrill of showing her off to the acerbic hostesses, home in his carriage at five or six in the morning ... and somehow it happened, the transition from affection to something dangerous. Never, he said, 'was seduction so easy.' "
Why, given all this excitement, Byron chose to marry Lady Caroline's prim, religious cousin, Annabella Milbanke, is a mystery. Perhaps he hoped marriage would quiet rumors—incest was a bit much even for the cynical Regency grandees among whom he moved. Perhaps it was a gesture of despair, with a bit of fortune-hunting thrown in. In any case, the marriage was a nightmare, beginning with the bridegroom pacing the halls with loaded pistols on his wedding night and culminating in Annabella's departure, newborn infant Ada in tow, after only 16 months. In her legal case for a separation she accused Byron of ongoing incest with Augusta and appalling maltreatment of every kind, culminating in anal rape two days after she gave birth.
Ostracized by those who had lionized him, Byron left England, never to return. Further adventures and abuses followed, the worst of which was probably his cruelty toward Mary Shelley's stepsister, Jane Clairmont, who bore him a daughter, Allegra. Rather than financially assisting Jane in raising the child, which he could easily have afforded to do, he took custody and refused to answer Jane's increasingly pathetic letters begging for news; he soon handed Allegra off to assorted others before sending her to a convent school, where she died, unvisited by anyone but Shelley, at age 5. By then he had settled down with the young, beautiful, married Italian countess Teresa Guiccioli.
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It is easy to see Byron as a cad, a narcissist and, at bottom, a misogynist. But that would be unfair. Byron's great insight, in an era where women were expected to be placid and insipid (not that they were!), was to see that women were much like men: They wanted sex and went after it eagerly, if secretly. Don Juan, his great satiric novel in verse, is a virtual catalog of passionate women who are anything but bashful, even if still virginal, and who are presented without condemnation, as human beings doing what human beings do. He understood, too, how limited was women's scope for action.
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One final note: O'Brien has little to say about Byron's poetry, but without it, he would be just another eccentric milord. To find out what all the fuss was about, pick up a copy of Don Juan. It's as fresh and sparkling and hilarious and sexy as the day it was published, and will make you wish the author was still around, so that you could write him a letter proposing a discreet assignation.
Sure he sounds like an "interesting" character, but something gnaws at me. If he didn't have the money, he wouldn't have lived the ostentatious life and he certainly wouldn't have gotten away with treating so many people so badly. Today, as then, money/power is a secret lubricant that buys you "adventures" as well as a "get out of jail free" card.
For those of you itching to dig into Byron's Don Juan, here's
a link to an on-line version.
